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Jonáš Gruska. Photo by Lucia Kovalova

Jonáš Gruska


Experimental composer and LOM label/​space founder Jonáš Gruska finds it’s the weak spots that are the most resonant, from worn-out bridges to aged ventilation systems. The ceremonial album Žaburina (2018), less field-recording-bent than his celebrated debut Spevy (2017), digitally synthesises sounds influenced by experimental and eastern music traditions. Live, his self-made horn PA relays the raw, beautiful, complex output he identifies in broken things.


Born in the former Czechoslovakia, experimental composer Jonáš Gruska studied at the Institute of Sonology in The Hague and Academy of Music in Kraków. His interest in chaotic and polymetric rhythms, unconventional tunings and the psychoacoustic properties of sound and field recording manifest in site-specific sound installations based on resonant properties of spaces and materials. He has given workshops on sonification, field recording, electromagnetic listening and programming for artists and created the Elektrosluch – electromagnetic listening device. In 2009, he started the label LOM, focussed on East/​Central European experimental art and music, opening the LOM space for contemporary sound in Bratislava nine years later.


Commissioned by INA GRM as part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.


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